Colorado Daily Newspaper (coloradodaily.com)
Review by Marcello DeFeo :: 11/15/02

Finding a morsel of treasured material out of the densely populated underground scene can make the never-ending scavenger hunt seem worthwhile. It's the yin and yang of music: without all of the bad music, one would not appreciate the good bands the slip through the cracks… especially when the band is found in such an unlikely place as New Jersey. Throw in a clever and nostalgic band title in addition to the talent and the music listen experience goes over the top. In this case, that hidden treasure is South Jersey's own Up Up Down Down Left Right Left Right B A Start.

That's right 20-somethings, the code from the Nintendo game Contra. To be more precise, though, it is actually the code that Konami used for a good number of the video games they released. Such a moniker may be misleading though. One would expect a band with a name like this to write poppy punk songs about girls, video games, and a longing for earlier and more innocent days. This expectation was filled a generation earlier with the previous band of some of Up Up Down Down's members, Dixon Ward.

"…and Nothing is #1" combines numerous elements and influences from every imaginable corner of the music world. The songs are delicately balanced combinations of subtle math rock time signatures, angular guitars that aren't afraid of taking chances, and lyrical longing, loving, and self-deprecating cynicism. It is a new generation of music for those left behind by the departure of Weezer in to the realm of pop-culture stardom; a generation that combines the geek packed pop sensibility of Weezer songs with unparalleled levels of talent and subtle complexities.

Although "..and Nothing is #1" is Up Up Down Down's first full length release, the band has put out a few EPs for the taking. With each release comes a new level of band maturity. The members of this band are truly students of music. They learn from both predecessors and contemporaries and merge those influences into a distinctly independent and unique sound. The band has traceable roots to the likes of Pedro the Lion, Cursive, and Pink Floyd but sounds like none of the three.

Like Pedro the Lion, this album comes off as vocally meek and humble. At the same time, it is not ineffective and faltering. When it is time to get loud, this band knows how to do right, as the Cursive referent might suggest. They are not in-your-face rock like one would expect from bands such as Refused. Up Up Down Down is packed with a passionate intensity that proves its powerful punch in every song. It is not rambunctiously loud. It is extremely energetic. Like Pink Floyd, the songs give you a concert hall feel. The songs are very spacious, adding a new dimension to the otherwise linear songwriting capabilities of your average band.

Each song on "…and Nothing is #1" is equally moving and powerful. Whether it be the easily relatable stories told in "You Landed So Gracefully" and "My Argument Precedes Me" or the well-composed works of art of "I Know You'll Find Out that I'm a Geek" and "Help Me Fix My Bike", this album leaves little to be desired. The compositions of Up Up Down Down promise to leave any listener completely sated and inspired, an effect that very few albums have.